![]() ![]() The Impossible Font is available in both regular and bold weights, and includes all standard Latin characters as well as support for Cyrillic and Greek languages. ![]() The font was designed to be used for both body text and headlines, and has a unique style that makes it stand out from other sans serif fonts. The Impossible Font is a sans serif typeface created in 2013 by Cosimo Lorenzo Pancini. If you are looking for a unique and modern font, then the Hopkinson Font is definitely worth checking out. He has been designing fonts for over 10 years and his work has been featured on many popular websites. This stylish font was created by Jeremy Dooley, a freelance designer from the United States. The font is available in both TTF and OTF formats and can be downloaded for free from the link below. It is perfect for headings, logos, and any other creative project you may have. Bodoni Ultra, Normande and Elephant are all examples of fat face types which are closely based on early to mid-19th Century originals, and are available in digital form.The Hopkinson Font is a very stylish and modern font that can be used for various purposes. They further exaggerated the contrast of modern typefaces, with slab-like vertical lines and extra emphasis of any vertical serifs, which often acquired a wedge shape. The first such types appeared from 1810-1820. The “Fat Face” types were an offshoot of the moderns, intended for display purposes (that is, to be attention-getting for use in large sizes, particularly advertising). A stunning example of a modern Art Deco font in use can be found at the Letterheads web site. A recent popular Art Deco display face is ITC Anna (1991 – ?). There are also more quirky faces in this category, such as Kabel (Koch, 1927-30). A more graceful geometric sans is Futura (Renner, 1927-39). The most common such face is Avant Garde (1974, Lubalin), which is striking but hard to read at length. First appearing in the 1920s and 30s, Art Deco made a comeback in the 1970s and 80s as well.Īlmost by definition, Art Deco meant sans serif type. ![]() If Art Nouveau was about finding beauty in organic intricacy, Art Deco was perhaps about finding beauty in geometric simplicity. See: William Morris: Art Nouveau Style, shareware Art Nouveau fonts! Art Deco Over the years we’ve written extensively about the Art Nouveau forms of type, fonts and art. Some of the more common digital art nouveau typefaces are Arnold Boecklin (Weisert, 1904), Artistik, Galadriel and Victorian. There are a fair number of digital revivals of art nouveau faces, although few are widely used. This “Art Nouveau” (French, meaning “new art”) produced similarly distinctive typography, which saw a revival during the 1960s. The late Victorian era, from 1880 to World War I, was characterized by this ornamental style of art, with its organic, asymmetrical, intricate and flowing lines. Some of the wood types most widely available today are those in an Adobe pantheon released in 1990, which includes Cottonwood, Ironwood and Juniper (Buker, Lind & Redick see lots more at the Edinburgh City of Print Flickr stream). Many wood types have an “Old West” feel, because they are most strongly associated with America in the 1870-1900 period. (At left you see an example of wood type, as being restored by the folks at ) It may be unusually compressed or extended. ![]() It is distinguished by strong contrasts, an overall dark color, and a lack of fine lines. It derives its name from the fact that instead of being made of metal, the type is carved from wood, cut perpendicular to the grain. Wood type answered some of the needs of display advertising during the industrial revolution. In this part six of the series, we look at one of the most beloved classifications - yet probably the most over-used generas: Decorative & Display Typestyles : Wood Type, Art Nouveau, Art Deco, Fat Faces and moreĬontinuing from the previous page, Part Six of “A Brief History of Typography” Wood Type ![]()
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